The Thrill Is Gone
And it’s never coming back…
“I’m so awesome I’m singlehandedly holding back the wave of long-anticipated-but-never-seeming-to-arrive-tidal-wave-of-white-male-right-wing-domestic-terrorism! I’m so noble, no one will ever know it was ME holding them back, getting them caught, defusing their bombs...because I’m so awesome!” - The Savant
This TV show needs to be preserved and kept in the Smithsonian as a benchmark of our strange times, in which ONE PARTICULAR NATIONAL POLITICAL PARTY was making EXTENSIVE USE of highly organized, violent, very dangerous and blatantly anti-American radical revolutionary groups loosely referred to as ANTIFA in order to try to DICTATE SOCIAL POLICY via threat against the public order and safety.
“GIVE US WHAT WE DEMAND...OR THE RIOTING BY THAT ‘IDEA’ WILL CONTINUE!”
And while they’ve been doing that, threatening more riots unless they got their way, the same leaders of this party kept relentlessly GASLIGHTING the public that they didn’t ‘know’ what Antifa was, that it was a ‘mere idea’ and Antifa is ‘under no one’s control’.
It is not unrelated that these same 1984 Party Leaders are currently also publicly professing and pontificating over their sudden confusion about ‘knowing’ what a woman is.
Their use of Antifa to try to reluctantly ‘drive’ and ‘steer’ the country where the 1984 Party Leaders want to go is **directly** related to their sudden fake af confusion about defining what a woman is.
It’s a power play based on nonsensical gaslighting.
This is not a strong position, either. They’ve been artfully maneuvered into their present incoherence.
They were forced by a certain event into speeding things up to a ludicrous degree, and now they’ve trapped themselves.
Know why? Read on:
Everyone **knows** Antifa is a real, organized domestic threat unleashed to terrorize people into giving in and allowing certain political policies to ascend despite there being no real organic support for them.
Everyone **knows** what a woman is, but the 1984 PARTY LEADERS are currently pursuing SOCIAL POLICY based on direct confusion and obfuscation about the two genders. Their Trans agenda is so very much important to them that they have quite deliberately tossed women and girls over the side of the ship as they relentlessly and single-mindedly pursue that precious trans agenda.
To maintain 1984 Party discipline on social policy, and especially their precious Sexual Confusion Revolution, a bubble must be maintained around their declining political base.
This is where Hollywood and the entertainment industry have a role to play in this unfolding Great Awakening.
To keep as many people asleep and programmed as they can, popular television and film projects are created with this ‘1984’ world view firmly in mind.
You do have to maintain SOME semblance of popular support for your 1984 Party’s social policy agenda, especially the LGBTQ+ stuff, and so it’s not only Fake Rigged Elections and Fake Polls from Fake News that’s used to maintain the illusion; the ratings of certain TV shows and films are also used as cultural benchmarks to ‘prove’ the public ‘supports’ what the 1984 Cult Party is currently doing.
That brings me to ‘The Savant’ again, that now-indefinitely-shelved, not-inexpensive new television show created for the Apple+ Network. This show was green lit and produced over the last 5 years when the “Trump insurrection’ narrative on J6 was in full bloom.
Lead actress Jessica Chastain admits this in the post she made today expressing her keen disappointment at the series being indefinitely shelved by Apple+. The series was produced for an America that was SUPPOSED to have been convinced over the past 5 years what a huge and significant threat MAGA and Trump are to ‘democracy’.
The ‘Savant’ series was produced for an America that was supposed to have soundly REJECTED Trump and MAGA/America First by now. But that hasn’t happened.
And even the ideologues that made it have realized it has now reached the end of the production pipeline and was about to debut in a far different America than the one it was envisioned for.
Ever watched a desperate carnival barker furiously trying to ‘create the demand’ in the disinterested passerby that they REALLY REALLY want to put their money down and walk in and see the elephant do tricks?
Well the oligarchs behind the 1984 Cult Party and many of our American institutions have taken that sort of thing to an entirely new magnitude:
They’ve always claimed the Hollywood wing of their cult is only making this kind of ‘woke’ or ‘political message’ show because “that’s what the public wants!”, but they’ve now reached the vocal timber of a desperate carnival barker when they say this.
Did you know that Fake News does the Fake News Polling thing not to actually reflect public opinion - that’s always been a lie - but rather instead to SHAPE and INFLUENCE public opinion?
“Popular entertainment” is just another wing of the same grift.
The same people who’ve come to dominate our government via bribery schemes behind the scenes, our academia, book publishing, music, even sports, as we all know, absorbed the television/film industries long ago, turning them into a propaganda industry.
They select your national leaders for you while pretending they are giving you choices, then rigging the election outcomes. They control much of academia, ensuring the coming generation of youth is eminently programmable and indoctrinated. And one of the most powerful illusions they’ve cast over the American public for the last 100 years is that “We’re just giving the people what they want!” via the popular entertainment they also control.
But they’ve run into a massive problem in the last decade.
Far too much of the public began to wake up to what they’ve been doing.
The illusion only works until the audience figures out that you are fooling them, and they see how you’ve been doing that, and then ‘the magic’ stops working.
And if you’re a ‘magician’ that’s been doing Very Bad Things to that audience while you were holding it mesmerized, their waking up to what you’ve been doing to them becomes A Very Bad Thing.
For you.
Do you know why Apple+ shelved ‘The Savant’?
It’s no fun at all when you can’t even point any longer to a ‘popular’ TV show or film to ‘prove’ you are only ‘giving them what they want!’ It becomes clear you are trying to JUSTIFY something you want to do.
The magic is gone. The carnival barker’s voices are growing more shrill.
And the magic is never coming back.
And you can quote me on that.







Right! (Maybe younger people don't know what '1984' is.)
Thank goodness!